This technique involves rendering your scene with and without ray tracing, then using the “Difference” blend mode to isolate the indirect lighting pass. Once extracted, you can mix it back with full control, allowing you to push EEVEE’s visuals (namely, irradiance or global illumination) beyond its default limits.

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Download the amazing Pizza Delivery scene by Lino Thomas (for Cycles):

https://www.patreon.com/c/LinoThomas/

Lino Thomas on ArtStation

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Full EEVEE Lighting and Rendering course:

Superhive

Gumroad

The post The Eevee Ray Tracing Hack That Shouldn’t Exist appeared first on Creative Shrimp.

Marlon sculpted this alien creature in ZBrush and textured in Mari.

Niko rigged and animated it in Blender.

Then I took over and gave it a lighting and rendering treatment.

p.s. Oh, all rendered in EEVEE btw!
Wishlist our new EEVEE course (coming soon).

If you like this, please follow all three artists :

ＯＵＲ ＳＯＣＩＡＬＳ
Marlon Nunez:
YouTube
Instagram

Niko (DemNikoArt):
Instagram
YouTube

Gleb Alexandrov:
YouTube
Instagram

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Special thanks to SuperLuminal render farm

The post TERRIFYING Alien Animation – EEVEE Lighting & Rendering Breakdown appeared first on Creative Shrimp.

How many times you’ve rendered the animation over and over again just to get the motion blur right? Or set up the Depth of Field and turn on the render samples to some crazy 10000 to get rid of the noise?

Learn how to utilize some of Render passes to your advantage (especially like number 5 – because it’s sort of hidden).

1. Speed Vector Pass and Motion Blur

Sometimes it’s called the Velocity pass. This pass represents the speed of moving objects and their direction. And you guessed it – here we have a motion blur solution for post-production.

[icon icon=”info-circle” size=”2x”] In Blender compositor there is the Vector Blur node. And it does exactly what we expect.

2. Z Depth and Depth of Field

Cathedral model by Zuendholz on Blendswap (Used under CC BY)

Faking Depth of Field in post production is a very common technique. Realtime feedback and the ability to tweak the Depth of Field effect after rendering is just too tempting, you know.

As Z Depth pass contains the info about the scene depth – or a 3rd dimension – we can use this info to define the focus point for DOF effect. In Photoshop, Blender compositor, After Effects, Gimp and the other soft.

[icon icon=”info-circle” size=”2x”] In Blender, we also have the Mist pass. Essentially, it’s the same thing as Z Depth, just anti-aliased.

[icon icon=”chevron-circle-right” size=”2x”] Also, we can animate the effect.

3. Z Depth and Fog

It seems pretty natural that for simulating fog we can somehow utilize the depth information. Indeed, Z Depth (or Mist) pass can serve as a mask for this effect.

[icon icon=”info-circle” size=”2x”] We can control the falloff of the fog using levels or curves adjustment. Or the color ramp node in Blender.

4. Ambient Occlusion

Industrial vacuum truck by Artie61

In CG world there is a good tradition to overlay ambient occlusion pass on top of everything. No surprizes, it’s just better with AO.

Global illumination sometimes doesn’t capture so called contact shadows, leading to ‘floating’ objects. AO compensates for this effect.

Check the different ways of creating Ambient Occlusion.

5. UV Pass for Texture Overlay

Before writing this article I had no clue about what is this misterious UV pass. But actually, Texture UV pass allows us to texture stuff in compositor!

What about overlaying the checkers? Awesome.

Know some other hidden render pass? Let me know.

The post 5 Ways to Use Render Passes in Blender appeared first on Creative Shrimp.

And looking at the industry, it’s evident that the trend of Physically Based Rendering keeps getting stronger: Unity and Unreal 4 just have adopted it.

https://labs.sketchfab.com/siggraph2014/

The post Sketchfab previews Physically Based Rendering at Siggraph 2014 appeared first on Creative Shrimp.